However, I find the challenge of capturing a creative image in-camera to be the fun part. If you want to use The Pixel Stick in an outdoor setting then it obviously has to be late at night. At my current stage of life, I am typically in bed early and up just before sunrise. So when I plan a shoot with The Pixel Stick it typically doesn’t start until 9 pm and we end up shooting until midnight or later. I think this is part of what makes it a memorable experience. It might toss you off your normal routine and allow you to see and think about places differently. Working with The Pixel Stick requires thought and practice. You not only have to think about your camera settings but you also have to think about how things are going to move in the scene to provide you with an amazing end product. Most times we shoot the same scene over and over again to get the timing and exposure correct. The end product is typically mind-blowing when you consider it was all done with one image in-camera. Loading up The Pixel Stick with content is easy. There is a converter on the website for file conversion or you can create your own. Once you do it once you will start to see the possibilities, which are truly endless. The actual functionality of The Pixel Stick is my one gripe with the system. In the menu system, it can be difficult to navigate to the file you are looking for because of the limited characters that the file name displays. I found it helpful to create a little cheat sheet on your phone with descriptions of the files. If you only have a few elements loaded this is not necessary. You will obviously need a tripod and a remote trigger for your camera is helpful although I typically use the timer setting and it works well but might require another level of timing when it comes to choreographing the scene. I recommend bringing an additional flashlight or headlamp. You will be working in the dark and working with camera gear in the dark can be challenging. Tent Party Christmas Light Painting Downtown Carmel, IN Pixel Stick used indoors I usually pack a small headlamp in my bag so I can be hands-free and easily see what I am doing.īelow are a few of my favorite images using The Pixel Stick and some background context on how they were created. Myself, and FPV drone racer Paul Nurkkala, set out to create a light-painted scene using Paul’s Tiny Whoop drone. To achieve this I had my Canon 5D MarkIV set to bulb with a trigger he set to hold at the start of the scene. I popped a Godox AD400 flash on Paul posing. After the flash, Paul walked over to The Pixel Stick and painted the fireball while I took the flash head of the stand and walked behind the camera. Once Paul finished painting the fireball he then flew a Tiny Whoop drone through the scene and Michael popped the flash again at the appropriate location to illuminate the drone. After that, Michael walked back to the camera and closed the shutter. We were very happy with how the two of us were able to achieve this scene in one frame.Ĭheck out the BTS video below.
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